Showing posts with label ceramic. Show all posts
Showing posts with label ceramic. Show all posts

Thursday, May 19, 2011

KAWUNG, MOTIF BATIK LOKAL MENUJU GLOBAL

Batik memang telah diakui UNESCO sebagai salah satu kekayaan budaya dunia yang berasal dari Indonesia. Namun motif batuk kawung adalah motif batik yang dapat dengan mudah mengglobal mengingat pola geometrisnya yang universal hingga dapat dengan mudah diterima oleh segala bangsa. Apa yang membuat saya memilih motif batik kawung ini adalah sebagai desain yang paling Indonesia karena pola kawung ini memiliki filosofi yang mendalam.

Motif batik Kawung
Motif kawung berasal dari penampang buah aren, biasa dikenal dengan nama kolang kaling, berbentuk oval yang dalam bahasa Jawa disebut kawung. Penampang oval tersebut ditata secara diagonal berjajar terpusat serta simetris hingga membentuk ilusi  optik seakan bunga yang memiliki empat kelopak. Aren yang manis, pohonnya yang  tegak lurus tak bercabang memberikan nilai keagungan, keadilan dan kebijaksaan pada  motif kawung. Bunga empat kelopak menyimbolkan bunga teratai yang menambahkan  nilai kesucian pada kawung. Perpaduan antara bentuk bunga dan buah membawa arti  harapan dan kesuburan. Keempat arah dari kelopak bunga juga merefleksikan empat  arah mata angin yang akan membawa cahaya kebijaksanaan.

Tak heran jika motif batik kawung menjadi begitu popular dengan begitu tinggi makna yang terkandung di dalamnya. Hanya di Indonesia motif yang sebenarnya universal itu mampu memiliki arti yang demikian mendalam.

Sementara teknik batik di Indonesia sudah sangat berkembang hingga bukan hanya di atas sehelai kain tapi juga di atas potongan kayu. Namun kesederhanaan motif batik kawung membuat penerapannya merupakan yang paling mudah untuk diaplikasikan.

Wallpaper dan wallcover berupa panel bermotif Kawung
dalam ruang tidur rancangan Rudi Dodo 
Panel dinding di Hotel Darmawangsa rancangan Jaya Ibrahim
Panel kayu bermotif Kawung rancangan desainer interior Jaya Ibrahim
untuk Hotel Darmawangsa
Berkat orang-orang kreatif Indonesia, motif Kawung dapat kita temukan pada berbagai elemen ruangan sebagai dekorasi. Kawung telah diterapkan oleh desainer interior yang nama dan karyanya telah terkenal di mancanegara, Jaya Ibrahim. Ia menciptakan panel dinding yang diukir dengan motif kawung untuk Hotel Darmawangsa di Jakarta. Arsitek Heru M. Prasetyo untuk sebuah rumah tinggal rancangannya di kawasan Serpong, memberikan aksen atraktif dengan membuat partisi di teras muka rumah yang terbuat dari besi bermotif batik kawung dan diberi pengecatan rona putih. Sementara desainer interior Rudi Dodo merancang kamar tidur yang diberikan sentuhan kertas pelapis dinding maupun penutup dinding berupa panel kayu bermotif kawung di Pondok Gede.

Desainer perabot yang karyanya telah dipertunjukkan dalam berbagai pameran desain di mancanegara, Alvin Tjitrowirjo, juga telah mengaplikasikan motif kawung pada meja maupun rak berbahan besi dengan teknik laser cut yang diberi pengerjaan akhir berwarna putih.

Meja berbahan besi dengan teknik laser cut tercipta motif Kawung,
rancangan desainer perabot Alvin Tjitrowirjo
Studio 181, sebuah studio keramik di Bandung, menghasilkan produk keramik dinding bermotif Kawung.

Keramik dinding bermotif Kawung produksi Studio 181
Keramik dinding bermotif Kawung produksi Studio 181
Sementara produsen perlengkapan makan keramik terbesar di Indonesia, Kedaung, juga menggunakan Kawung sebagai ornamen hias untuk salah satu koleksi mereka. Bukan hanya Kedaung, namun produsen kain pelapis sofa dan kertas pelapis dinding asal Amerika, Quadrille, juga telah membawa motif Kawung mendunia lewat produk mereka hingga dipajang di berbagai majalah dekorasi di Amerika.

Wallpaper Quadrille bermotif Kawung dalam majalah Coastal Living Oktober 2009
Wallpaper Quadrille bermotif Kawung
dalam majalah Coastal Living Oktober 2009
Kain pelapis sofa Quadrille bermotif Kawung dalam majalah Elle Decor
Kain pelapis sofa Quadrille bermotif Kawung
dalam majalah Elle Decor

Monday, March 14, 2011

INDONESIAN ARTIST: F. WIDAYANTO, A CERAMIC ARTIST

F. Widayanto 

For ceramic fanatics the name Fransiskus Widayanto is pretty well known. The man who born in Jakarta, 23 January 1953, is popular as ceramic artist and already celebrated internationally. His ceramic exhibitions held in Singapore and Aussie. One of his works, Maria, is now gracefully displayed in a church in  Israel. To name some, King of Jordan and luxurious label Hermes have collected his creation.

Some of F. Widayanto women figurines 

Widayanto always created uncommon themes for his art objects. He has principle that he won’t follow or copy other ceramic artists’ style. “Thematic objects has more personalized, you can’t literally folow to the tradition, but you still able to aply the tradition combined with the trend nowadays,” he explained. Later he also told that ceramic art actually had been popular as a part of Indonesian culture. Ceramic becomes a part of Indonesian history. “ It’s important finding your cultural root, rediscovering and reinterpreting it in order to create.”

He had created not less than 13 thematic of ceramic arts such as Ganesha-Ganeshi, Kendi, Ukelan, Mother & Child, Dewi Sri, Fantastic Lady, Narcissus Narcissus, and Semar. Each theme contains not just one statue. Just like Semar, there were 30 statues that he created. In creating his arts, Yanto usually insert the elements of Javanese and Indonesian culture. Just like his Ganesha-Ganeshi series in 1993, he created various pose of prudish and funny elephant. Ganesha is one of Hindu’s gods. His Ganesha-Ganeshi take F. Widayanto to the higher level in art society and become the talk of the Jakarta crème de la crème. His designs inspirations also come from the nature that surrounding him. It reflected in his choosen colors like warm brown, calm green and soothing blue. Not to forget the floral and animal shapes.

Ganesha-Ganeshi
Besides creating art objects Yanto also release household collection. Once he said that he needed chanelling his enormous creativity, but still it needed special treatment. “I have to separate the common product like household items to art objects. It needs strategic planning when to launch the the household items or art objects. Don’t ever launch both of them together at the same time.”

Semar 

The appreciation for ceramic arts is still less compared to other kind of arts like paintings or statues. That is why ceramic industry in Indonesia is growing slowly. On that situation he commented, “ We cannot blame people for that situation. It is us who must fight for it. We can’t just accept that situation and do nothing. Some things worth to fight for, and it needs determination, struggling and time. To be succeed what we need is evolution not revolution. Don’t just pursue the result than later just finished. Ceramic is difficult to do and need a long process. You have to know the soil well, knowing the details of making and burning. If it’s broken, you have to remake it.” He continued, “The only way is keep creating and continuing to introduce your creation by exhibition. Afterward people will recognize you and willing to pay your journey, your value and character that reflected in your creation. It’s not a new thing for people in this ceramic world to be strong. The creation of a personal character is not easy and take a long time, need more literatures, reviews and contemplation. Just like the ceramic’s character, when it burnt it’s getting stronger. Different from other materials that will be damaged when they burnt.”

F. Widayanto graduated in 1981 from the Ceramic Section of the Faculty of Fine Art and Design,ITB, the Bandung Institute of Technology.  In 1991 Widayanto set up his own studio in Tapos, marking the beginning of his functional and decorative products, including accessories. Testifying to his continuing artistic creation, he hold solo exhibitions of ceramic sculptures held every 2-3 years.


Solo Exhibition :
1987   : "Wadah Air", Water Container, Erasmus Huis, Jakarta
1990   : "Loro Blonyo", Symbol of marital faithfulness, Mercantile Club, Jakarta
1990   : "Topeng", The Masks, Bank Universal, Jakarta
1993   : "Ganesha-Ganeshi", the Hindhu God Ganesha, Bentara Budaya, Jakarta
1995   : "Ukelan", the various forms of javanese women's hairstyle, The Regent Hotel, Jakarta
1997   : "Golekan", the Javanese Wooden Dolls, Bentara Budaya, Jakarta
2000   : "Mother and Child", Galeri Nasional Indonesia, Jakarta
2000   : "Kendi-Kendi", the water vessels, Restoran & Gallery Koi, Jakarta
2001   : "Ceramic Inspiration", Hotel Sari Pan Pacific, Jakarta
2003   : "Dewi Sri", the Rice Goddess, Galeri Nasional, Jakarta
2005   : "Fantastic Lady", Galeri Nasional, Jakarta
2007   : "Narcissus", from the kiln of F. Widayanto at Galeri Nasional Indonesia, Jakarta
2009   : "Semarak 30 Semar", Galeri Nasional Jakarta
2010   : "China Dream", at Widayanto Galeri, Jakarta

Joint Exhibition :
1996   : "Topeng", Masks collection, Museum and Art Gallery
            of the Northern Territory, Darwin, Australia
2003   : CP Bienalle, Galeri Nasional Indonesia, Jakarta


GALERI F. WIDAYANTO
Jl. Setiabudi II no. 11,
Jakarta Selatan
Telp: +62 - 021- 526 2309, +62 -021-522 3547
Dewi Sri

Tuesday, August 10, 2010

Horace Bristol INDONESIA 1939 @ Jenggala Keramik, Jimbaran, Bali








picture courtesy of Jenggala @ Facebook

1930’S Images of Indonesia by original LIFE magazine photographer Horace Bristol on exhibit for the first time at JENGGALA KERAMIK Bali.
The exhibition will focus on Bristol’s work as one of the original LIFE magazine photographers, and LIFE’s first international story in 1940. Bristol came to Indonesia in late 1930s to photograph and document life in the then Dutch East Indies. The story became a14-page spread in LIFE’s premier international edition. This exhibition focuses on rural life in late 1930s Indonesia, from traditional dance, religion, art, to textiles and farming. These images reflect traditions and practices that remain part of Indonesian culture today..

Come and experience an extraordinary collection of photographs of Indonesia from the 1930's by original LIFE magazine photographer Horace Bristol!

Horace Bristol INDONESIA 1939 @ Jenggala Keramik, Jimbaran, Bali
06 August at 18:30 - 04 October at 18:00